Seems that the most important metaphysical question lately, "Why did Andy Warhol paint Campbell's Soup cans?" The only available answer is "Why not?" The issue is a cause for excessive praise and blame. Actually it is not very interesting to think about the reasons for it is easy to imagine
Warhol's paintings without such an item, simply as "overall" picture of repetitive elements. The dead-pan, sweet, know-nothing quality of the personality of Andy Warhol is ever -with his paintings. He plays dumb as his pictures, but neither deceive us. The pictures are from canned, commercial images, whether Campbell Soup, Marilyn Monroe, or of scenes of destruction and death, a car crash, an electric chair. The image always has a context and a story before it uses Warhol: He takes the second hand or the familiar and presents it freshly, with immediacy.
The feelings of Andy Warhol images arouse in us are socially ordained, the forms ofFeeling and expression are what our society has evolved and popular one above: There is little ambiguity in our response. It is here that Warhol knows something he does not say. There is no image so simple that it means only one thing, an image so familiar that it has lost its meaning. The impact grows through repetition, to resolve the shapes into patterns on the screen, then grouped with fresh appreciation.
There is little slack in the apparently random art of AndyWarhol. He browses the magazines and newspapers for pictures, the directness and ambiguity to wear, which are under water, his affair. A screen-printing has been ordered, of a certain size, not the size of the original photo. The image is then repeated a certain number of times, determined on a canvas size. The canvas is either left or white painted a uniform background color or multi-screen with backgrounds in various colors are to be combined.
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